There were moments which were mesmeric and pleasant. For example the hallucinatory cut aways of the guy who thinks he can fly. Mainly it's the music and the musing voice-over...it's nice.
I liked Hiro, the Japanese guy who can teleport. I believe in that character, I believe there are plenty of nerds like him around the world, who look like him, sound like him and believe the same zany stuff as him.
I liked some of the no-holes-barred FX...the pokey-outy rib cage on the cheerleader, the sawn of skulls. Pretty grisly, but encouraging that this'll be a post 9pm watershed viewing experience.
Oh where do I start?...I know, the catwalk cast.
Why, oh why, oh why...do US tv shows feel the need to populate their shows with tall, athletic, impossibly glamorous characters with really cool hair, and marvelous bone structure? Every time I see a character like that I feel the urge to turn over and watch something else. Impossibly glamorous people like this don't live in the real world, they live in CelebrityLand...to me, they are not real people, therefore I simply do not care for them.
I mean take a look at the image above; the glamourous webcam hooker-mom, the glamorous brilliant Indian scientist, the glamorous flying doctor, the glamorous high school cheerleader....the glamorous artist guy, his glamorous girlfriend....I really couldn't give a toss about any of them.
On the other hand, the Japanese guy, and the tubby cop...now, I felt they looked more like real people, therefore I was instantly ready to empathise with them and their storylines. It's really not rocket science. Cast real people and you'll get the audience onboard much quicker.
There was some painfully in-yer-face expository dialog in the first few scenes. That's annoying perhaps to other writers who recognise when a conversation is taking place between two characters simply to get the viewing audience up to speed on the story. You know what I mean, the kind of dialog that goes:
Character A: 'But Bob, you know your father always hated you?'
Character B: 'Ah yes, he did, ever since I first discovered he was working on discovering XYZ. He had no time for a little kid like me.'Character A: 'And that always affected you Bob, didn't it? That your father hated you? So you went to University to prove yourself to him?'
That kind of dialog usually comes in thick and fast near the beginning of a show/film as the writer desperately races to educate the viewer so he'd ready for the plot to begin. But, you know, a good writer does it subtly, a bad writer doesn't.
I'm going to stick with it for now. It is an interesting premise, and I like that most of the budget will end up on the screen and not in the back pockets of a recogniseable celebrity cast.
But...my biggest moan is the insecurity American Tv/film producers have, insisting on catwalk casts. Really, it's okay, the viewing audience can handle non-gorgeous characters. So pssssst...here's a quiet tip for you casting pro's guys:-
...ordinary tv-viewing people like us, actually prefer normal looking people, okay?